A Critical Analysis of Hippolytus and Lysistrata. If one reads Hippolytus and Lysistrata, one may immediately conclude that love has 'nothing' to do with anything. Many Greek plays discuss the subject of love in obtuse ways.
Love is often the driving force of Greek tragedies, thought to inspire, incite and even enrage in many cases. While love is an important concept and theme, it is not always presented in a positive light in many plays. This is certainly the case in Hippolytus and Lysistrata, which at best suggest that love is unnecessary or tragic. Hippolytus written by Euripides does so remarkably well, suggesting that love is something that can not only be manipulated by the Gods, but also something that is less tangible in some cases than passion and lust.
Lysistrata, written by Aristophanes, puts sex and power on a pedestal above love suggesting…… [Read More]. Power and Leadership as Exemplified. The fact that Lysistrata's "came to power" by virtue of her own leadership abilities which were recognized and celebrated by their peers rather than having them thrust upon her from above is pointed out by Ober , who reports, "The Athenians' demonstrated concern with native intelligence, their distrust of elite education, and their respect for the authority of the elders are parodied by Aristophanes, who mimics rhetorical topoi in the speech of Lysistrata, the female demagogue: Listen to my words I am a woman, but I'm smart enough Indeed, my mind's not bad at all.
Having listened to my father's discourses And those of the older men, I'm not ill educated. Lysistrata quoted in Ober at Indeed, Lysistrata's leadership qualities were clearly demonstrated in her ability to organize the women of Athens to show the warring men of the city just who in fact had "the power" suggests…… [Read More]. Both in are female-dominated plays that were produced by male-dominated societies and written by men. Both the drama and the comedy features strong women as their central protagonists, whom are depicted under extreme circumstances, in relatively positive lights.
And both plays, despite their very different tones, also have an additional, unique feature in that they show 'the enemy' -- or the non-Greek or non-Athenian, in a fairly positive and humane fashion. The sympathies of the viewer for female's plights are immediately arisen by Aristophanes from the first scene of "Lysistrata," as Cleonice, the friend of Lysistrata, and a common Athenian housewife states, regarding the lateness of the other women that frustrates…… [Read More].
Aristophanic invective against a rival dramatist: Because it is a pun made on the name of the tragedian Dorillus or Dorilaos -- we are not sure of the spelling, since none of his work survives and the pun in Aristophanes' fragment is the chief testimony to his work -- Henderson finds a novel solution for translating this untranslatable joke: As a hint to the plot of the lost Lemnian women, the sense of sexual pleasure being deliberately withheld, as in Lysistrata, seems to adhere to this particular fragment: Heroic Ideal Greece Rome an Analysis of.
Heroic Ideal Greece, ome An Analysis of the Heroic Ideal from Ancient Greece to oman Empire The mythopoetic tradition in Greece begins with Homer's Iliad, which balances the heroic figures of Achilles and Hector, two opposing warriors and men of honor, amidst a war on which not even the gods are in agreement.
Hector and Achilles mirror one another in nobility and strength and both represent an ideal heroic archetype of citizenry -- men who do battle to honor both their countries and their names.
To illustrate, however, the way the ideal of heroic citizenship changes from the Greek mythopoetic tradition through to the late Stoicism of oman imperialism, it is necessary to leap ahead several centuries and survey the several different bodies of work.
The mythopoetic tradition in Greece somewhat continually dwells on the same themes with regard to heroic citizenship, whether in Homer or in the Golden Age…… [Read More]. Joshua's Goldstein Book 5th Edition. To explain what drives international relations, Joshua Goldstein provides a brief history of the world, in addition to information about the geographical features and the consequences of different nation's economies.
Goldstein, The beginning of the twentieth century was marked by relative peace in the world. The Franco-Prussian wars were at least three decades into the past. Nobody would envision that the worst horrors of a global scale wars were in the near future. In as much as Goldstein avers that the First World War was wholly unnecessary and it was, at least in its inception, a macho exercise p.
After the…… [Read More]. Roles of Women Figures in. Either as mothers, sisters, wives, daughters, mistresses, lovers or supernatural creatures, women populate the world of the Odyssey and bring thus an important source of information when it comes to finding parallels between their representations in real life as drawn from the representations they get in the Homeric epic.
Based on the same starting point as the Odyssey, another ancient author, the Roman irgil wrote the epic Aeneid. He lived in the most flourishing times of the Roman empire, in the first century BC, almost seven centuries after the Odyssey and the Iliad had probably been written. The heroes in irgil's epic are still men, but the women gain a new role: Analyzing the whole range of epics and poems written by ancient Greek and Latin writers, A.
Keith points out that "classical Greek and Latin epic poetry was composed by men, consumed largely by…… [Read More]. Sidney Poitier Is an Artist. This play, the first by a black playwright to show on Broadway, was a moving reflection of black family life that had great popular appeal Sidney pp. Poitier's performance was such a critical success that he was asked to star in the movie adaptation in Sidney pp.
Then, Poitier took on one of the greatest taboos of the time, interracial romantic relationships, in "Patch of Blue," and "Guess ho's Coming to Dinner," thus, by the end of the 's. Poitier was one of Hollywood's most popular stars Sidney pp. Covenants in Genesis and Oedipus. How could that be true when that child was left in the woods to die?
Oedipus is calmed, but he still sets out to solve the murder-mystery and punish the man who committed regicide. As more details come to the surface, however, Oedipus starts to get a bad feeling.
The evidence indeed points to him: Laius, he learns, was slain at the same crossroads where Oedipus took the lives of a group of men. Apparently so…as Oedipus also learns that he was the babe whom Jocasta and Laius abandoned -- and indeed has grown up to ruin the house by killing his father and marrying and having children with his mother Jocasta.
Jocasta sensing that this might be the case had pleaded for Oedipus to halt the investigation, but determined to know the truth, Oedipus called the herdsman who found him tied to a tree to…… [Read More]. Sophocles An Ancient Voice for. If Oedipus had controlled his temper instead, he might have averted his awful fate. Sophocles uses this parable to make a statement about man's responsibilities.
Even today, people are continuously making choices that have negative impacts on their own lives, yet they shirk any blame or responsibility for the fruits of those choices. Sophocles shows us that Oedipus is not a victim of the whims of the gods, but a victim of his own actions.
Sophocles uses Oedipus to make social commentary on the self-denial of the common man. In modern times, we see this reflected in the attitudes of the average American- we constantly seek to place the blame for our misfortunes on external sources instead of acknowledging our own contributions to those misfortunes. As much as Oedipus is a victim of his own actions, he is a victim of his emotions.
He carries the anger and resentment of…… [Read More]. Home Topics Literature Lysistrata Essays. Lysistrata by Aristophanes View Full Essay. Works Cited Porter, John. Nassaar, Christopher, Sophocles' 'Oedipus the King. Edited by Jeffrey Henderson. Peruses Tufts Classics Project. Retrieved November 26, , from Questia database, http: Therefore we see women taking over traditionally masculine roles, another situation that could only be described as fantasy to the original audience.
The proceeding debate is interesting and poses many questions about Aristophanes political stance. Women are not mentioned actually taking into action any of the advice given by Lysistrata. This gives the impression that Aristophanes is in fact giving serious advice to the city of Athens using Lysistrata as a mouthpiece. The advice within the passage is so shrouded in metaphor that it is almost impossible for there to be any serious political advice in it whatsoever.
It seems that in saying this speech, Lysistrata believes that the women will finally be seen as capable of managing Athenian finances - again, an absurd idea for the original audience. However, to truly tap into the audiences minds, Aristophanes needed to include something that they all had in common and were familiar with. This is not only war, and it is not the dangers and horrors of war, but the real life frustrations of the Athenian people.
The women in Lysistrata complain that the men are away at war for too long, and that they are being deprived of sex - this scenario is not merely fantasy, but must have been a familiar feeling to most, if not all adult Athenians. This is Lysistratas one main connection with reality besides its central subject of war, and it is in this way that Aristophanes keeps the audience inside the fantasy world of Lysistrata.
It is easy to see why early Athenian women would get tired of their men leaving. Most of them were married in their teens and never knew what it was to be on their own.
And if the husband was killed in warfare, a widow in ancient Athens had few good prospects. In conclusion, the plot of Lysistrata demonstrates that the overriding mode of Aristophanic comedy is fantasy. For an audience at war, this play was the ultimate form of escapist entertainment. Albeit in Lysistrata the women are shown as revolutionaries rising up against the men, women in classical Greece were never like that. Aristophanes created the play as a comedy, showing what the world would be like in the times of the Peloponnesian war if women tried to do the impossible.
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Essay on Satire in Lysistrata - Satire in Lysistrata Satire is a literary manner built on wit and humor with a critical attitude directed to human institutions and humanity. A successful satiric play will show certain truths about society and .
By contrast with the playwright’s other works on similar themes, Lysistrata seems rather thin in imagination. Undoubtedly the basic assumption of the comedy—that women .
Lysistrata Essay. BACK; Writer’s block can be painful, but we’ll help get you over the hump and build a great outline for your paper. Essays Related to Lysistrata. 1. Lysistrata. Knowing their physical limitations, the women decide on a plan of attack that is lead by Lysistrata. Lysistrata is the mastermind and director of the action in Lysistrata. /5(4).
Essay on Aristophanes’ Lysistrata Words | 4 Pages Aristophanes’ Lysistrata is an excellent example of satirical drama in a relatively fantastical comedy. Essay on Lysistrata Aristophanes’ Lysistrata is a masterful comedy about sex, war and gender. Its main comedic device partly fails in our modern interpretation because of our more balanced views of women in the 21st century.